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Black Jelly Beans and Smokes

by Mark Lint

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1.
Celebrity 01:38
2.
3.
4.
5.
Manager 02:59
6.
The Zoo Song 00:53
7.
8.
9.
10.
Romantic 03:13
11.
To Be Maybe 04:02
12.
13.
14.
15.
16.
Lady Iraq 02:11
17.
18.
Lament 03:13
19.
Zi-Pow! 05:05
20.
21.
Kimmy 02:32
22.
23.

about

Black Jelly Beans are the ones that normal people with a fine taste for fine things pick out and throw to the weevils, but which certain freaky weevil-like individuals find quite to their liking, thank you...

Smokes (aka Spoo) are those silly (harmful?) indulgences that act to let off steam (smoke?), producing a small, noxious cloud, intoxicating to some and irritating to others.

In short, these are recordings from ‘90-’97 deemed (or created with the intention of being) too silly and/or sickly to put on any of the albums I was involved with during that period. They are often of dangerously low fidelity, and were for the most part written and/or recorded with a minimum of time and/or effort on my 4-track cassette Tascam PortaStudio recorder.

It was compiled and mixed in the summer of ‘97 as a break from the assiduous Mark Lint and The Fake Johnson Trio sessions.

credits

released September 1, 1997

Mark takes responsibility for nearly all of the noises on this album, with a few exceptions:

Dr. Sanjiv Ghogale made some noises on 6, while Brian Hirt né Gerber co-wrote and “sang” on 13.

Said Brian and his brother Ken wrote, sang, shook and strummed things on 22.

Mr. Matt Bohm played drums on 3 (using a broom handle, if I recall correctly).

Backing vocals on 15 include Josh Fielstra, Dale Baker, and whoever else was in their room when I dropped by.

19 is a MayTricks (my band from ‘90-’94) tune, sort of, on which I had Matt Diaz, Geoff Esty, and Steve Petrinko fill up several tracks of guitars and percussion in no more than one take each.

Oh, and of course I didn’t write 20, but I did make up some backing vocal lyrics.

Quick and dirty mastering by Sam Ray.

Photos by Mark and Kimmy.

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about

Mark Lint Madison, Wisconsin

Catchy, homespun tunes ranging in style from power pop to folk ballads to alt country, laced with a sense of the absurd.

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